Codruta m-a intrebat citeva lucruri despre ce fac eu prin filmele pe care le fac, intr-un interviu pentru revista scolii ei.
Pe Codruta o gasesti cel mai bine pe instagram si facebook si ea un artist vizual implicata in alternative fashion si tot ce inseamna alternative culture.
Spune-mi te rog puțin despre temele majore care razbat în filmele tale,
Nu prea ma pricep la teme. Acestea ar fi frumos de gasit de oameni cu o pregatire mai intelectuala decit mine. Sint citeva cronici facute la filmele mele, probabil pe acolo sa se intuiasca la ceva teme. Habar n-am. Eu sint cumva pozitionat la celalat capat al vederii unui film.
Tu ce obsesii ai? Se manifestă ele în vreun fel în ceea ce faci?
Toate filmele si videourile mele vin cumva din obsesii interioare precognitive. Ma intereseaza mult nu sa enuntez idei, cit sa explorez zone umane foarte intime si secrete din om si dintre om si om. Cele mai multe sint nespuse inca. De aceea filmele mele sint un fel de cheie care deschide zone neexistente inca, si am tot primit acest mesaj de la oameni, cit de ciudat si de neinteles este experienta de a vedea un film, dar cit de revealing intr-un fel inca neprelucrat.
Ce lucruri îți plac și ce lucruri te sperie?
Imi plac foarte mult oamenii de nouageneratie care nu au acea osoasa suspiciune fata de tot si toate. Pentru ca fara sinceritatea si incredere in ceilalti este imposibil sa sapam in noi insine si sa exploram umanitati si naturi umane.
Cel mai mult ma sperie cind imi mai aduc aminte ca am trait o perioada intr-o lume in care totul era minciuna si adevarul era si el instantaneu transformat intr-o aluzie, intr-un sens alterat, intr-un instrument de abuz. O sufocare paranoiaca la nivel de intreaga societate. Ma bucur mult ca am reusit sa ies si si mai si sa imi pot exprima complet adinca sinceritate. Atit cit este ea la fiecare moment din timp.
Spune-mi despre cum e să faci film fără un buget propriu-zis și fără profit,
Exista o minunata libertate si sinceritatea din partea celor implicati, atunci cind faci un film numai si numai din placerea si credinta in acele idei si emotii. Si de aceea echipele sint foarte strinse iar experienta este foarte des una magica si minunata.
Dar pentru a stringe o echipa potrivita in jurul unui proiect nobudget este foarte foarte greu, si nu totdeauna un succes. Este un act mult prea spiritual pentru multi si de aceea nu se implica.
Iar atunci cind intervine plata, si circularea banilor, daca nu exista un sistem deja fluid, cum este acela cultural festivalier, finantat de un stat si noprofit, nu prea se poate face film, cumparind oameni si lucruri.
Read more… »
I have made a pinterest board to gather art references for our film project Apologia
I’ve asked Maria Mantaluta to write a small text about our 2015, Beings. And she was kind enough to see the film and wrote this amazing text. Its so wonderful to find people that understand and open to ones work. Thank you so much Maria for your kind and beautiful words.
you can find the whole text on her film blog
you can see the full movie at
Some films you follow, some films follow you. #Beings can easily fall in the second category of films which end up by following you for a while after watching it. It’s neither beautiful nor narrative. It is not everybody’s cup of tea; for some might be a whole kettle, while for others less than a cup. It might actually not even be a cup of tea. A dark atmospheric underground no-budget production, which proves once again that a film is more than polished visuals, special effects, and Hollywood stars, it is firstly a feeling, an experience, meaning exactly what lingers when narrative is erased from memory and images fade into colours.
Starting from a Eva, the film brings together a tormented love triangle, struggling with their own inner beings in an amalgam of guilt, love, lust, grief, loneliness, friendship, madness and absurdity which contours the human existence. Looking for and banishing each other at the same time, while looking for themselves, every character falls into its own interior world, trying to hide and escape their own anxieties. There is an uneasiness, a claustrophobic feeling of suffocation, an impossibility of breaking free. The film attracts its viewers and estranges them at the same time and with the same means. An hour of slow drowning, of diving into the most obscure and meaningless fears, an hour of industrial sound followed by crushing silence, which takes its passive viewers from Marie Claire to the desolate outskirts of Berlin.
Eva (Doro Hohn), Teo (Cătălin Jugravu), Ana (Andrea Christina Furrer) are just names in a hurricane of desperation and helplessness, each one enduring the guilt of the others’ suffering. No reason, no logic, no desire of going back to a once lost normality, probably; and love is not the solution as it usually is in a cliché of a world, but the trigger of irrationality itself. As I consider Andrzej Zulawski’s Cosmos (2015) to have a world of its own, which does not wait to be deciphered by its viewers, so does #Beings; the film does not try to explain itself, and it does not need to. The characters live in their own world, a world with no map, no directions.
#Beings gives no glimpses of a so-called normality, no light, no warmth, and once you start watching it you find yourself caught in a foggy loop as strange as it is familiar, through the clew of emotions and expressions it depicts, and which are nevertheless deeply and indisputable human. A poem of greyish images, the 53 minutes are a route from tense trepidation to quiet stillness. All the quick shots in the beginning, the long takes of the human body, Ana’s burdened gaze, and Eva’s cries for help melt into the static image of the sun setting over the industrial remains of something which was long forgotten.
Now for everybody out there that wanted to see what I do in filmmaking today I’ve made a small showreel that recaps some of the films and videos I’ve made since 2008.
Thank you all soo soo much for all your help, belief and sacrifice for these films to be made and screened in Romania and all over the world. Thank you my amazing romanian and german crews, thank you sooo soo much you amazing souls that you are dear dear actors, thank you beautiful reviewers, critics and viewers from all over the world that opened your souls and minds and feelings in front of these little films.
It was and it still is an amazing journey in film and I am the luckiest human to have met you and shared with you at least a small part of real and direct soul.
Thank you soo soo much to all.
And lets keep telling stories about our amazing sacred human experience.
Image is mirror, what we feel and see in it shows us more than the ones in the mirror.
Image/story is an intuitive language that can empathize with others outside ideas. Outside concepts, languages.
My films are about the difficult process that we need to undergo so that we can come back to life, or to understand it. Not to enjoy it, not to be happy, but just merely to experience it. Happiness has nothing to do with Truth, with direct touch of life.
So no Beauty. But as much truth and wake up moments as possible. As much angles feelings reactions and objects upon reality so that our all being can transcend it even for a very brief moment.
The reel contains pieces from the films
No Man’s Land
Sleep Awake 2012
you first do your art with the ones you fuck with
then you do it and with the ones they fuck
and if lucky one of all these people has some money
or fucks some art dealer
or some critic
or some media mogul
or some royalty
and your art becomes art
from now on
please replace the word
with the word
you should start learning what you are
and quit trying to be what you want
my words are objects
to your breath
is only for those that refuse organised religion, organised education and organised knowledge
organised working life, organised social life, organised love life
why is the body more important than the mind?
because the mind you can kill time and time again
the body only once
the body is closer and more attentive to experience and life, than the mind
the body is real
the mind is not
the body is silent
the mind is not
that is why I am so interested in the body and not in the mind
not in socials
they all flow out of body and our relationship with our own, and with the other’s Read more… »
#Mare – 20s-30s – female, nudity, simulated sexual scenes, animalic, trance like, wilde character, no text
#Nuku – 20s 30-s male, nudity, erection, simulated sex + violence
#Clara – 20s-30s – female, nudity, sexual scenes
professional or non-professional – Romania or Europeean – Italy, Spain, France, Belgium, Germany, or any other open minded introspective country and culture
assistant producer/organizer – with car
DOP – lights color and camera counseling
makeup – special effects – knife wounds, blood wounds, wild dirty
sound recording team
one big room 70m2 or larger – heated for november – industrial or in a weird closed area
Bucharest – or any other city in Europe
old furniture and objects to borrow for 1 month
[all cast and crew must be interested in body metaphor and sexual poetics]
[the script is free to read, either here or on my blog qualiafilm.com]
[please be sure to check our past projects before applying. it would be so nice to know something about my direction as film and art before wanting to join this project]
I want to make this underground film and I need a little help to gather some money to pay for a space and for small rentals that I can’t convince people to help me out of revolutionary conviction or belief in our ideas and direction of film.
Could you help me with 2,3 euros please,
Donations or any other help coming from you will add you to the secret group of those that will see the film, of those that will get inside news about the film. Photos, cast, rehearsals, making off. Deleted scenes.
We are getting ready for our new project #Obscur a crazy intimate transgressive underground film. With it we will finish a trilogy of the body. SleepAwake2012, #Beings2015, Obscur2016
[it would be great to partner-up with a #coproduction company for #distribution and #promotion of the film]
If you would like to keep in touch or help us, please follow our new page and contact us.
We need your help, support and share.
Any help from you with the promotion,
making, finding things cast and crew,
participate or share of this project, towards its completion,
will guarantee your access to the private screenings of the film through a secret group with exclusive access to the film and the process of making it.
Photos, info, videos, personal messages, meetings, special events and many more.
contact us at – paul at qualifilm.com
De ce film? Well, pentru ca filmul ramine intact in timp si se cumuleaza. Pentru ca este un instrument de schimbare culturala ffff puternic. Pentru ca este mai sincer ca fotografia si mai echilibrat emotional ca muzica. Filmul le include pe toate si contine acela minunata inventie – povestea. Inventie care este cumva exteriorizarea organica a unui holism interior. Emotional, traditional, genetic, reactiv, rational, cultural. Povestea ne ajuta sa impartasim experiente comune si sa le descoperim. Filmul ne ajuta sa vedem si sa constientizam.
Its not about a better more efficient and successful life. But about a more meaningful and open life.
What I am trying to learn, and what making films keeps on teaching me, is how to find, in what I don’t have, in what I can’t reach, the same reward and the same lessons and experiences as when you have all resources you need and desire, to achieve that inner universal revelations.
Step by step I understand that such a milestone, such an idyllic first doesn’t exist.
That what you don’t have is the same with what you have.
There is no redemption in the having the best.
There is no doom in not having.
Its all too simple and sincere to depend on outside conditions, circumstances, dynamics, threats, rewards or things.
All can be found in silence.
All can be shared in silence.
All can be revealed in silence.
I feel from time to time the need to explain my projects, I feel that people will understand me better if I talk to them personally 🙂
Now I talk a little about our new space where I want to explore some of my ideas, in a owned space, no more running around asking people for borrowing theirs.
And also about our film project Obscur – a +18 film that so many people are afraid of. I try to ease their minds and suspicions.
We are looking for a small financial support to make Apologia, a poetic non-commercial film in Bucharest. These money are for food and gas for our 10 days of filming, plane tickets for our international cast and rent for 2 of our locations and sound post-production.
Apologia – A multidimensional, multi existential story, about a mystical togetherness that is somehow broken and people have broken pieces in one another.
Please help us with our 3rd feature film. Films that we don’t use as products. Thank you.
Until now we’ve raised from amazing friends – 430 Euros out of the 3500 we need to start.
direct link to paypal donation – http://goo.gl/LLsLuL
or try a qualiafilm membership
or our affiliate stores – all you buy from there will reroute a small percentage to our fundraising.
AMAZON, F64(ro), EMAG(ro)
I am thinking about creating meetings with people interested about making, collaborating, helping, knowing more about small indie films, underground, experimental, poetic…
or anything that can be called outside of mainstream cinema.
and a tumblr blog
and a newsletter
We are organizing a film night every Thursday in Bucharest at Plantelor 25
see about current film schedule on tumblr or facebook.